With that you can all rib me now

what I got out of "Some Kind Of Monster" is that Lars Ulrich is more of a whining douche than I thought he was. Then, I am still a little mad at him over the Napster thing also.Bag wrote:My perception of them changed when I watched "Some Kind Of Monster." What a bunch of friggin pansy assed douchenozzles. (Ty Dawn!)
I still like most of their songs but....
My wife was a HUGE fan and she couldn't believe what she was seeing in that documentary. I couldn't believe that they'd even want that thing released.
Nothing will ever change my love for this record...although i just finished reading To live is to Die.I'm at this point CONVINCED that the bass mix on Justice was an intentional boot on Jason's throat.They were in their early 20's and had lost (for the most part)the band's mentor.I don't think they were ready to let go of Cliff. Therefore we got the finished mix.All that said these "Justice for Jason" mixes are outstanding.Maybe just maybe if they'd have mixed the album properly in the first place Newsted would have never left Metallica.It's always been a bone of contention for him.onegunguitar wrote:Hey windburn......I totally agree with you about no bass on the Justice album(which is a great album!). Listen to this version of Blackened,it sounds a little more punishing!!!
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http://www.youtube.com/watch?v=eAvwod7BBK0
As usual, I have to agree with everything you said here, Jason. When people start bagging on Metallica for supposably selling out on things like Load and St. Anger, I have to chuckle a little bit. For the most part, Metallica has always done exactly what Metallica has wanted throughout their careers, and damn the critics if they don't dig it. That doesn't mean you have to necessarily like it, but I think it's unfair to say that they somehow changed because they just felt like jumping on trends. With that said, I really dug Death Magnetic, and Suicide and Redemption is probably my favorite Metallica instrumental ever (yes, even over Call of Ktulu). Unfortunately, the trend of burying the new bass player continued with that album as Rob's barely audible.Gallowglass wrote:I've felt a little Metalli-hate creep through on RP from time to time. It was actually even a little bit fashionable there for awhile. I've always loved them. I respect them for the decisions they've made as artists even if I was sometimes disappointed with their output (even I can't stomach St. Anger). I don't think they've ever really done much of anything that they themselves didn't want to actually do. Love it or hate it, they've done it their way. How many artists can actually say that?
From a musical point of view, it seems to me that most people ultimately were disappointed with the fact that they had changed musical direction away from the earlier thrash period. I can only imagine how most people would feel if they were expected to maintain any kind of artistic stasis for the rest of their career. They grew, that's what happens to artists, at least the good ones. Besides, where could they go after the standards that they had set? I've always secretly suspected that if Load and Reload had been released by some other artist that many people who "hate" them now, would have hailed them as the best albums of that artist's career.
I can totally respect it if someone legitimately experiences any music and doesn't like it...like I said, I absolutely cannot stand St. Anger, but at least I respect Metallica's willingness to try something new. It just bothers me when people bitch about them "not sounding like they used to". Miles Davis and John Coltrane caught the same criticisms before writing some of the most groundbreaking music of all time from people who couldn't accept that as artists, they HAD to do something different or they would ossify.