undercoverjoe wrote: How you do even pay the taxes on the boatloads you make for your unbelievable songwriting career?
You know there is a difference between quantity and quality.

"Had To Play The Blues" is on The Hurricanes first studio album, and Felix tells me it's the best song on it.
"Hard Time" was the most requested song in WLAK-FM history, according to Rocco Palotto, program director, and stayed in breakout rotation for nearly a year, surpassing even national pop and rock releases. I used to let the audience sing it, because they knew it so well. It got airplay around the world, thanks to tape traders, and I still get requests for it.
"My Eyes" received similar airplay in the early 90's, and has been the bridal-dance song at a few weddings, which I'm very proud of. I no longer sing it, but other people do.
"Stoney Lonesome" was written and recorded at Parlor Studios in Nashville, and the original dobro part was played by Rod Stewart/Shania Twain steel guitarist Robin Ruddy. It's been on hold with Grammy-winner Larry McCordle and Lonesome Standard Time, and alt-country band, Pinmonkey. It's currently being performed live by Asheville NC band The Dixie Bee-liners, and is on the Mama Corn CD.
"How Far Is It?" was used in the 1997 World Line-Dancing Finals.
"Crazy 'Bout Daisy" was used in a Nashville artist development deal by James Carmack.
"On That Night (There Was Just One)" is a Christmas song that gets played every year on local radio since it was written nearly 15 years ago.
My first radio airplay ever was in 1985, on WFBG-AM, as part of a band contest. The song was,"Speedrocker."
I've played original music in every project I've ever been a part of (even as a sideman) except for sit-in gigs, and I never pitch songs. I play them, and if the band likes them, that's cool... if they don't, that's cool, too. I've written/played metal, radio-rock, country, blues, gospel, and bluegrass (so far). The "Songsmith" nickname wasn't something I made up... fellow songwriters called me that on my first trip to Nashville, where I wrote with Tanya Tucker, who was still on the charts at the time. I help judge the Pennsylvania Heritage Songwriting Contest. I can be difficult to co-write with, because I do not allow cheap rhymes (love/stars above, etc.), and insist on creative effort over speed or ease.
NOW... post YOUR songs, or at least list some accomplishment that entitles you to judge the quality of my artistic output. If you can't,
YOU ARE OFFICIALLY BEATEN, and you need to tuck your vestigial tail between your legs, and go find another sandbox to poop in. None of the things I've mentioned are self-aggrandizing or fluffy, I simply stated the facts about the quality of my art, and how it has been received; and now it's your turn to tell us about YOUR songs.