Here's the specs if anyone cares:
http://www.cort.co.kr/english/products/ ... duct_id=91
but basically its a luthite body, and an unlined ebanol neck, 3 band active EQ with a "slap switch"
The first thing I could say about this bass is that its really light. The second thing I could say is that its really black, ha ha.
It balances really well on a strap with the long upper horn. It balances pretty lousy sitting down because of the really small lower horn.
Unamplified, I was surprised at how resonant, and loud it is, because its so small.
Amplified it has a very flat response. Very clear sounding. Thats pretty much why I bought it, so I'm very happy about that. Chords sound really clean. I don't think this would be the ideal bass for classic rock, but for what I want to do with it, its pretty great.
I've never owned a bass with an active EQ, so I'm not really sure what to say about that. Those of you with onboard preamps, do you pretty much set it and forget it, or do you tweak between songs, or in the middle of songs?
I havn't quite gotten the hang of the slap switch yet. There are trim pots on the back in the control cavity, but I'm not 100% sure what they do. I don't do a whole lot of slapping, but it does seem to bring out my pick sounds a little better.
I think it could use a set up. I'm getting some buzzing, especially in the first position. It came from Arizona, so its no surprise that it will need a truss rod tweak.
Overall this is a very light, very playable bass. I would definately reccomend this bass to other people. However, if you've got that fender sound in your head, this isn't going to get you there. I'm still experimenting with the EQ, but I havn't been able to get that single coil "jaco" sound that just erupts out of my fretless jazz.
I'll definately be getting to know this bass over the next few days. End of The Sun is planning on starting to record this weekend, so it will probably make a debut there.