SHARK BITE @ PELLEGRINE’S, ALTOONA 7/7/08
This Monday night started off with my experiencing my first-ever “Awful Night” at Blair County Ballpark. The 6th annual event of its sort, the Ballpark did up all things along an “awful” theme, from playing bad music through the PA system to staffers wearing cheesy clothing (Altoona Curve mascot Steamer in his polka dot get-up looked like a reject from the old Banana Splits children’s television show, like a banana split that was left in the refrigerator for a year) to selling scrapple sandwiches. And the team lived up to the “awful” theme as well, losing to Harrisburg 4-2.
At least the rest of the evening wasn’t awful. Monday wing night at Pellegrine’s again provided tasty wings and fun live musical entertainment courtesy of Shark Bite.
As they always do, the Shark Bite tandem of Adam D on keys and vocals and “Big Jim” Ricotta” on acoustic guitar and vocals kept it fun over three sets with their mixture of favorites old and new, with a few surprises along the way. During the first set, one such surprise was Adam’s lounge spin (or as he described it, his Chris Cornell adaptation) of Michael Jackson’s “Billie Jean.” Another highlight during this set was an audience request for the Eagles’ “Take It Easy,” featuring Adam with his cordless headset mic walking to the bar to get patrons to sing along.
The second set kicked off with a special guest, as Adam’s Dueling Pianos bandmate, John Koeck, performed renditions of Paul Davis’ “I Go Crazy” and Elton John’s “Rocket Man.” Another highlight, for me at least, was my putting Adam D to the test by yelling out a request for Yes; Adam answered with a competent abbreviated performance of “Roundabout.”
And the nightcap set featured a surprise from Big Jim, who broke out a version of Morris Albert’s “Feelings,” which was quickly followed by Jim’s spin on Glenn Frey’s “Partytown.” Towards set’s end, Adam and Jim got the house involved in a singalong rendition of the Doors’ “Roadhouse Blues,” with Adam again going to the bar and getting the patrons and Harry Jr. involved in the singalong.
Again, Shark Bite was greeted with a healthy Monday night crowd. Again, live music has caught on at Pellegrine’s on Monday nights, and there now seems to be a growing crowd of Monday regulars on hand to enjoy music, wings or both. It was a good close to an “awful” night.
Big Jim of Shark Bite.
Adam D of Shark Bite gets Harry Pellegrine, Jr. involved in a singalong.
Adam, Harry Jr. and several Pelly’s patrons whoop it up.
Big Jim celebrates a shot…a sharkbite, perhaps?
FELIX & THE HURRICANES @ LAKEMONT PARK WING-OFF, ALTOONA 7/10/08
For Altoona Nation, summer reaches its full stride with the arrival of the Lakemont Park Wing-Off’s. At this point, summer sun and warmth has fully arrived, and it’s time to party! And as was the case last year, Felix & the Hurricanes provided the music for the Wing-Off kickoff.
Not necessarily surprising given rising prices everywhere else, the price of enjoying wings at the Wing-Off again went up this year. Wing tokens are now $3.50 each, and each token purchases 5 wings. That’s a 50-cent price hike per token (and if you do the math, 70 cents per wing), and a one-wing reduction per token from last year. Ouch!
Nonetheless, since I hadn’t eaten anything else all day, I bit the bullet and bought the wings; 20 of them. I first did 30 Something’s butter garlic and spicy barbecue wings, and later tried Bonfatto’s Restaurant’s raspberry habanero and apple pepperjack wings. All of these were good; and I was glad to see Bonfatto’s arrival at the Lakemont Wing-Off, providing a little bit of variety from the usual wing fare.
Of course, with the Hurricanes on the stage, the quality of music was never in question. With Pat “Pmac” McGinnis running sound, Felix, Jeff and Bob kept the wing-eating masses entertained and happy with their mix of classic rock, blues and original songs over two lengthy sets. Highlights during the first set included Felix’s reverb effects to spice up the guitar solo on Lynyrd Skynyrd’s “Simple Man,” and the rowdy set-ending jam on Stevie Ray Vaughan’s “Rude Mood.” The nightcap set saw several ladies get up and dance as the set progressed, with the rug-cutting (actually, stagefront grass-cutting) reaching high gear during Skynyrd’s “Gimme Three Steps” and the group’s repeat performance of their soulful favorite “Walking A Straight Line.”
The weather was good, the music was good, and the wings were good (if a bit pricier). One of Altoona’s favorite summertime parties had returned, and all was right with the world.
Felix & the Hurricanes help kick off a new season of Lakemont Park Wing-Off’s.
Felix Kos of the Hurricanes.
Bob Watters of the Hurricanes.
Jeff Clapper of the Hurricanes.
Again, Felix & the Hurricanes.
Again, Hurricane Felix.
Some fans and dancers celebrate the Hurricanes at the Wing-Off.
More dancing fun with Felix & the Hurricanes at the Wing-Off.
FELIX & THE HURRICANES @ 30 SOMETHING, ALTOONA 7/10/08
After logging a few more hours in the workplace following the Wing-Off, I decided I wasn’t Hurricaned out yet for the day, and headed to 30 Something for a ‘Canes nightcap.
A few folks were in the house, including several from the Wing-Off who followed the party to 30 Something. I arrived in time to catch the Hurricanes’ entire third set. Felix, Jeff and Bob opened the set with Glenn Pavone’s “Postman,” and continued with the Eagles’ “Take It Easy,” the Jeff-sung original tune “Cut That Line,” the Doors’ “Love Me Two Times,” Jimi Hendrix’s “Fire,” and another Jeff-fronted original rocker, “Little Ears.” Hurricane Felix then showcased some excellent slide guitar work on the night-ending rendition of ZZ Top’s “Just Got Paid.”
Again, I was impressed with the Hurricanes’ enthusiasm and energy, even at the end of their second gig of the day; and at least during the time I was there, I didn’t hear the group repeat a song from the earlier Wing-Off performance.
Simply put, more Hurricanes good times to cap a summer Thursday night…
CENTRAL PENNSYLVANIA FESTIVAL OF THE ARTS, STATE COLLEGE 7/11/08
Another highlight of summer in this part of the world arrived this week with the annual Central Pennsylvania Festival of the Arts in State College. Again, thousands would descend upon Happy Valley to enjoy five days of arts, crafts, food, refreshments, kids activities, and of course, live music.
For the third week in a row, I had a free Friday (I burned a vacation day this day) to travel to State College and partake in the festivities. Arriving in late afternoon, I did what I usually do for this event, paying the $5 parking fee and leaving my wheels in the Beaver Stadium parking lot, and riding the CATA bus into downtown State College. As I stepped off the bus at the corner of East College Avenue and Allen Street, I immediately heard a band performing at the Festival Shell up the hill on the Penn State main campus in front of Old Main. I immediately hoofed my way up to investigate…
The band on stage was a Washington, D.C.-based trio called Mojo Nation, and I arrived in time to catch the last three songs of their performance. This group features three established musicians from the D.C. music scene; including guitarist/bassist Earl Carter, a former member of E.U. (who did the funky hit “Da Butt”), multi-instrumentalist/singer Steve Sidley (a former member of east coast funk group Sam’s House), and Mike Corbett on drums. Their style featured a blend of funk, rock, and jam elements, peppered with Steve’s clever use of effects and electronics along the way. Of the three songs I witnessed, I only caught one of the titles, “Absolution,” from their CD Everybody Loves a Happy Ending. Mojo Nation’s execution was tight and crisp, and these guys clearly had fun playing off one another and making each of their tunes into an instrumental adventure. Good stuff!
Mojo Nation, in the latter stages of their performance at the Central Pennsylvania Festival of the Arts.
Mike Corbett of Mojo Nation.
Steve Sidley of Mojo Nation.
Earl Carter of Mojo Nation.
Although it was approaching dinner hour and I hadn’t eaten anything since breakfast, my live music pangs were stronger than my hunger pangs, and I opted to delay my visit to the Arts Festival food court to grab a strategic vantage point seat near the Allen Street stage so I could see the performance of Ted McCloskey and the Hi-Fi’s. Ted and the Hi-Fi’s were five members strong this day, with namesake, singer and lead guitarist Ted McCloskey joined by Hi-Fi bandmates Rene Witzke on bass and Daryl Branford on drums, plus Molly Countermine on backing vocals and percussion, and additional guitarist Noah Wotherspoon. Over the course of their one-hour set, these folks tore it up! Ted and the Hi-Fi’s rocked the large Arts Festival crowd with an all-original set of tunes from Ted’s CD’s, as well as a few new songs. The group opened with “Beautifully Dead,” and continued with “Out with the Old Queens” and “Someone Took Away Your Microphone.” Ted then introduced a bluesy number called “End of the Legends,” where Noah demonstrated some tasty slide guitar work. The group brought the tempo back up with “Lowest Common Grain of Salt,” before Ted and Molly showed off some sweet harmonies on “A Little Mystery.” Ted then introduced his ode to the disappearance of local record stores in State College, “Last Independent Record Store.” The next song, “Let-Me-Go-or-Let-Me-In,” erupted into an all-out guitar jam between Ted and Noah. Ted then introduced a new song called “2 AM,” followed by “Looking Good in the Coffin” and “Jet Set Suffragette.” The group then finished out the set in a blaze of glory with the fast-firing “Wait, Wait.” This band was on top of their game from start to end, maintaining an energetic pace and sounding tight and together. The roar of applause grew louder with each song, and Ted McCloskey and the Hi-Fi’s clearly and convincingly won over this crowd. This performance was one of my favorite highlights of this year’s Arts Festival.
Here is some video footage from Ted McCloskey & the Hi-Fis’ performance:
http://www.rockpage.net/users/jprice/video/MOV01679.MPG
Ted McCloskey & the Hi-Fi’s.
Ted McCloskey.
Guitar fireworks erupt between Ted McCloskey and Noah Wotherspoon.
Ted McCloskey and Molly Countermine.
Again, Ted McCloskey & the Hi-Fi’s.
Again, Ted McCloskey.
Presidential hopeful Barack Obama looks on as Molly Countermine plays the tambourine.
Barack Obama seems to be having a good time.
Again, Molly Countermine.
Once again, Ted McCloskey & the Hi-Fi’s.
Once again, Ted McCloskey.
Sitting in with Ted and the Hi-Fi’s, Noah Wotherspoon.
Yet again, Ted McCloskey & the Hi-Fi’s.
One more time, Molly Countermine of Ted McCloskey & the Hi-Fi’s.
I then returned to the Festival Shell stage to catch the last three songs of the Christopher Dean Band’s performance. Based out of New Jersey, this foursome played blues and soul. Namesake Christopher Dean sang and played guitar, flanked by Dave Foti on bass, Chip Dixon on drums and Jim Davis on sax. The group was doing a rendition of Tyrone Davis’ “Turning Point” when I arrived. They then broke into “Sweet Home Chicago,” showcasing crisp solo displays from both Christopher and Jim. Christopher then introduced the funky-flavored title song from his CD, Where I Need to Be, to finish out the set. What I saw from the Christopher Dean Band was solid; I wish I could have arrived earlier to see more.
From New Jersey, the Christopher Dean Band.
Chip Dixon of the Christopher Dean Band.
Jim Davis of the Christopher Dean Band.
Group namesake Christopher Dean.
Dave Foti of the Christopher Dean Band.
Again, Christopher Dean.
Once again, the Christopher Dean Band.
At this point, I bowed to the hunger temptation and headed to the Food Court area near the intersection of Allen Street and Foster Avenue, and purchased a Polish platter with kolbassi, halushki, halupki, potato pancakes and pierogis…Hey, I had to start my training for Johnstown Folkfest weekend!
I then headed to Tony’s Big Easy, in hopes of catching the last hour of the Andrew Jackson Jazz Ensemble, which the Weekender magazine listed as happening from 6 to 9 PM. The listing was wrong, though, and I walked in just as the ensemble of Andrew’s ensemble, with “Big Jim” Ricotta on bass (Big Jim is everywhere!) and Andrew’s Bluesmoon bandmate Trace “CHICKSINGA” Baker on vocals were finishing up their last song. Although disappointed that I missed the performance, I had fun chatting with Trace, Andrew, Big Jim and Rockpager “zappa” over a cold brew.
From there, I returned to the Festival Shell stage, where the Warren, PA/Jamestown, NY-based band Lareau was performing. Group namesake Larry Lareau sings lead vocals. Two members of the band, drummer Darrin Payne and bassist Roger Christopherson, used to grace area stages in the 90’s as members of the Buffalo-based band Brandy Lies. Anthony Brown plays keys, and Pete Gool plays guitar. For the duration of their set, Lareau alternated original songs with a variety of cover material. Their original songs demonstrated a melodic pop/rock style not too far removed from Gavin DeGraw, Ben Folds Five or Dave Matthews. The group did a number of songs from their Changes CD such as the title song, “Storm,” “Take a Ride,” “Change My World” and “Step Aside.” The group tackled an interesting assortment of cover material, including the Red Hot Chili Peppers’ “Dani California,” Jethro Tull’s “Locomotive Breath,” Simple Minds’ “(Don’t You) Forget About Me,” Maroon 5’s “This Love,” Alice In Chains’ “No Excuses,” Led Zeppelin’s “Kashmir” and Cream’s “White Room.” Larry demonstrated a clear and rangeful voice, and the group supported him with good harmonies. This performance was pretty strong as well, and was well-received by the large contingent of folks seated on the lawn.
Lareau entertains at the Central Pennsylvania Festival of the Arts.
Lareau namesake and singer Larry Lareau.
Again, Lareau.
Once again, Lareau.
Again, Larry Lareau.
More from Lareau’s performance.
Anthony Brown and Pete Gool of Lareau.
Darrin Payne of Lareau.
One more time, Larry Lareau of Lareau.
I then returned to the Allen Street Stage to witness one more band to close out this day at the Arts Festival, State College’s own Lemonsoul. A huge mass of humanity, including a number of Penn State students, crowded in front of the stage and clear back through the seating area and sides of Allen Street. Singer/guitarist Dan Vidmar, guitarist Ingmar Carlson, bassist Austin Arrington, drummer Tom Connolly and percussionist Landon Evak rewarded the huge crowd with their eclectic blend of rock, funk, reggae, jazz and more. The group mixed original compositions with interesting spins on established classics, continually mixing things up and never staying in one musical place for long. Some of the more interesting highlights included the group’s jazzy and jam-geared take on Marshall Tucker Band’s “Can’t You See,” their funky read of Paul Simon’s “Late in the Evening,” and their harder-edged spin on The Band’s “The Shape I’m In.” The group also bounced between reggae grooves, Little Feat-like funk passages, a percussion jam between Tom and Landon, and more. The huge crowd roared approval after each song, and at the set’s conclusion demanded an encore; Lemonsoul responded with the Grateful Dead’s “Friend of the Devil.” Obviously, Lemonsoul has built a huge following in this town, and this set should only serve to expand and strengthen it.
A mass of humanity crowds in front of the Allen Street stage to see Lemonsoul.
As viewed over a sea of heads, Lemonsoul.
Once again, Lemonsoul and fans.
This closed the Arts Festival for this day. I had decided earlier that I would forego using the shuttle bus to get back to my car at this point, and instead head to one of the downtown State College nightspots to catch more live music. Walking back across campus at the end of the night to get to my car at Beaver Stadium wouldn’t be a problem for me; I’ve been doing brisk half-hour walks every day since late March, and I used to have to do this particular walk to the Beaver Stadium vicinity to pick up my work-study paycheck when I lived in this town as a student 25 years ago. Did I say 25 years ago? Geez…
MR. HAND @ THE BREWERY, STATE COLLEGE 7/11/08
State College was buzzing with live bands all over the place during Arts Festival weekend. After pondering the selection, I decided to take my first look at Mr. Hand, doing their weekly Friday night party at The Brewery.
Not surprisingly, a big crowd was already packing into the Brewery as I arrived at the end of Mr. Hand’s first set. Fortunately, though, I was able to procure and set up shop on a vacant spot at one of the tables near the stage and bar. The crowd continued to file in, and soon the place was close to jam-packed.
Mr. Hand – featuring former Sona members Brian Lubrecht on lead vocals and Alec Russo on rhythm guitar, former Clove bassist Brad Fisher, and new members Tevis Williams on lead guitar and D.J. Williams on drums – soon fired into their second set with INXS’ “The Devil Inside,” and played a high-powered mixture of current and classic rocking favorites. The group continued with Eve 6’s “Inside Out” and Finger Eleven’s “Paralyzer,” before imbedding Lustra’s “Scotty Doesn’t Know” inside Violent Femmes’ “Blister in the Sun,” prompting a singalong from the packed dance floor area. Mr. Hand continued to escalate the party with Good Charlotte’s “Anthem,” War’s “Low Rider,” Maroon 5’s “Love Has Taken Its Toll,” Def Leppard’s “Pour Some Sugar on Me” and Weezer’s “Buddy Holly. After another song, the group closed out their second chapter of the night with Eddie Money’s “Take Me Home Tonight” and Rick Springfield’s “Jessie’s Girl.”
Mr. Hand was doing a good job so far; even though Brian told me that ten shots were brought up to the band during the first song! Brian showed his versatility, capably handling the vocal duties on the song material he and the band were tackling. The group was instrumentally solid and on the same page, and kept the tempo upbeat and the pace tight.
State College bars on crowded nights become interesting places. Total strangers can strike up conversations with you, and even share their beer with you. That happened to me during this intermission; a guy and his girlfriend sat down across the table from me, and the guy noticed my notepad and asked me what I was writing. Explaining what I was doing, we got on the conversation about the best concerts we’ve seen, and next thing you know, the guy was pouring me a cup of Yeungling from his pitcher! Cool! On the minus side, large crowds in State College bars make for nasty bathroom conditions, and the men’s room urinal was stopped up and in serious danger of flooding its banks! Oh my!
Soon Mr. Hand was back for one more set. The stagefront dance floor was again quickly packed (actually, it stayed packed during the intermission, as there wasn’t much room around to allow anyone to leave it!), and remained so as the group continued with their mix of classics and current rocking hits. This set featured renditions of The Who’s “Baba O’Reilly,” Weezer’s “Say It Ain’t So,” Foghat’s “Slow Ride,” Corey Hart’s “Sunglasses at Night,” and Billy Idol’s “Rebel Yell.” The group closed out the night with an interesting combination, intertwining Nine Inch Nails’ “Closer” with Sly & the Family Stone’s "Thank You (Falettinme Be Mice Elf Agin).”
Bottom line, Mr. Hand successfully continued the festive Arts Fest vibe after the outdoor events had finished; and kept the mostly college student crowd happy for the duration. A good time!
Mr. Hand parties down during Arts Fest weekend at The Brewery.
Brad Fisher of Mr. Hand.
Brian Lubrecht and Alec Russo of Mr. Hand.
Again, Brian Lubrecht of Mr. Hand.
Again, Brad Fisher of Mr. Hand.
Again, Alec Russo of Mr. Hand.
One more time, Brian Lubrecht of Mr. Hand.
RUSTY GUN REVIVAL @ CUSTOM SKIN ART “CHOPPIN’ LOT PARTY,” ALTOONA 7/12/08
The Revival has been revived! After taking some time off over the winter and spring months, Clearfield Americana/honky-tonk trio Rusty Gun Revival is back in action and playing a limited schedule. This day, they were back in the Altoona area to play Custom Skin Art’s 3rd annual “Choppin’ Lot Party,” a customer appreciation event held in the tattoo business’ parking lot.
I arrived during the intermission between Rusty Gun Revival’s two sets, and was pleasantly surprised to see the group’s former bassist, Ed “Red” McDonald, providing the upright bass thumpin’ this day. After procuring some of the free complimentary vittles provided by Tom & Joe’s Restaurant, I was ready for the continuation of the Revival!
Ed, singer/guitarist Marc “L.C. Slim” Prave and snare drummer Tom Hipps blended original song material and various roots music standards during this latter set. They opened up the set with two of their own songs from their CD, “That Girl Is Hot” and “Honky Tonk Woman.” They continued with “See See Rider” and their folksy slant on Social Distortion’s “Ball and Chain.” Next was the Old Crow Medicine Show-popularized “Tell It To Me,” followed by “Mystery Train” and “Land of the Navajo,” which culminated in a fiery song-ending homestretch! Rusty Gun Revival continued with the traditional “Tell Old Bill,” followed by “Wagon Wheels” and Elvis’ “That’s Alright Mama” to close the performance.
Rusty Gun Revival sounded smooth, and seemed to pick up right where they left off before. Their facial expressions revealed that they were enjoying themselves as they performed their rootsy mix.
Following the band’s performance, several revelers gave their best burnout efforts on their bikes in the Custom Skin Art parking lot. Although not as heavily attended as the first two years, this was still an enjoyable time, and Rusty Gun Revival’s return to action was a welcome one.
Rusty Gun Revival, entertaining at Custom Skin Art’s Choppin’ Lot Party.
Marc “L.C. Slim” Prave of Rusty Gun Revival.
Stepping out of retirement this day to play that big ol’ bass, Ed “Red” McDonald of Rusty Gun Revival.
Again, Rusty Gun Revival.
One of the bikes parked at Custom Skin Art’s Choppin’ Lot Party.
More bikes at the Choppin’ Lot Party.
More choppers.
Yet another chopper!
No Choppin’ Lot Party is complete without at least one good burnout!
Another burnout!
VENT @ THE OSCEOLA HOTEL, OSCEOLA MILLS 7/12/08
It dawned on me that I had not logged enough quality time in Osceola Mills lately, so I decided to head to the Osceola Hotel this night to get a progress report on Vent.
Actually, it wasn’t quite as simple as that…I actually had another out-of-town show I was planning to attend, but wisely decided to check the show listings here on Rockpage at the last minute before heading out the door. I’m glad I did, because the show I was to attend was no longer listed, and when I checked the band’s website to verify, it wasn’t listed there either. So I figured it must have been cancelled. With my first choice eliminated, I had to decide between four other shows I was interested in this night; and after a two-round single-elimination coin toss, Vent was the winner, and I was Osceola bound.
I don’t know if this happened to be National A**hole Drivers Day or what, but I must have had at least 5 cars riding my bumper en route to Osceola Mills this night…And I was driving at a normal speed, too! So I was relieved when I arrived at the Osecola Hotel and parked my car.
Inside, Vent was in the late stages of their first set. Singer Kenny Marks, guitarist Dave Plisco, bassist Rob Staph and drummer Jason Houser were rocking a light but rowdy crowd with their renditions of Duran Duran’s “Hungry Like the Wolf,” Local H’s “Bound for the Floor,” Rage Against the Machine’s “People of the Sun” and Stone Temple Pilots’ “Wicked Garden” to close the set.
This was my second time witnessing Vent after last summer’s muggy steamfest at The Hitching Post, when the group was just breaking in Kenny as their new singer, and their drummer at the time was playing his last gig with the group. It wasn’t a great night for Vent, so I was hoping to enjoy a better night and show this time around. So far, at least, it appeared like my hopes would be realized.
Acknowledging the Altoona radio guy in the room, Vent opened their second set with a “Q94 Two-for-Tuesday Double-Shot” of Stone Temple Pilots, doing “Unglued” and “Plush.” The group continued to rock in the 90’s vein, doing Toadies’ “Possum Kingdom” and Candlebox’s “Far Behind.” After a Red Hot Chili Peppers number, the group dug into the 80’s for The Cure’s “Just Like Heaven,” and continued the party with tunes from Pearl Jam, Matchbox 20, Blink 182, more Rage Against the Machine and Red Hot Chili Peppers, and finally, a song I hadn’t heard covered for a while, Caroline’s Spine’s “Attention Please” to close the set.
Vent was doing a good job so far, and this was clearly an improvement from the aforementioned Hitching Post show. Kenny has settled in as the group’s singer, and sang with confidence and poise; and the group behind him sounded sharper as well, with Dave offering up some stinging guitarwork along the way. The crowd was clearly into Vent’s performance, with more folks gathering in front of the stage as the set progressed.
As they did during the first two sets, Vent again blended 90’s rock with current and occasional 80’s numbers. Opening with Rage’s “Bulls on Parade,” the group followed with another song I hadn’t heard in a long time, Faith No More’s “Falling to Pieces.” Vent kept the crowd happy with Red Hot Chili Peppers’ “suck My Kiss,” Soft Cell’s “Tainted Love,” Puddle Of Mudd’s “she Hates Me,” Ugly Kid Joe’s “(I Hate) Everything About You,” Fountains Of Wayne’s “Stacy’s Mom,” Finger Eleven’s “Paralyzed,” Weezer’s “Beverly Hills,” Lit’s “My Own Worst Enemy,” CCR’s “Fortunate Son,” and lastly, Violent Femmes’ “Blister in the Sun” to end the night.
Vent kept the party in high gear and gave the Osceola crowd a good time. And I was impressed with the Osceola Hotel itself; John and Deb provided a friendly atmosphere that contributed to the good vibes this night. I came away happy with Vent’s improved performance, and enjoying the hospitality of the Osceola Hotel and the friendly crowd this night. Definitely a good time!
Vent, rocking the Osceola Hotel.
Vent fires up the dance floor crowd.
Kenny Marks of Vent.
Dave Plisco of Vent.
Jason Houser of Vent.
Again, Kenny Marks of Vent.
Again, Vent.
Again, Jason Houser of Vent.
The party continues with Vent.
Once again, Kenny Marks of Vent.
Rob Staph of Vent.
Once again, Jason Houser of Vent.
One more time, Vent.
CENTRAL PENNSYLVANIA FESTIVAL OF THE ARTS, STATE COLLEGE 7/13/08
I had a full day of activity lined up for this Sunday. First, accomplice Big Jim and I did the morning “Horseshoe Special” train excursion ride, part of the attractions at this year’s Railfest at Altoona’s Railroaders Memorial Museum. The train ride departed the Altoona train station and headed westward around the Horseshoe Curve, turned around at the loop track in Gallitzin, and returned to Altoona. Save for a thunderstorm that hit Altoona just as the train was arriving back, it was an enjoyable ride and a good time.
After browsing the Railroaders Museum following the train ride, I headed to my next destination, returning to the Central Pennsylvania Festival of the Arts in State College. Taking a cue from the earlier thunderstorm, I took the precaution of packing a collapsible umbrella and rain poncho in my camera bag before boarding the CATA shuttle bus at Beaver Stadium. This proved to be a wise decision.
At least early on, there wasn’t any music I urgently desired to see, so I took the opportunity to browse the arts and crafts booths; first strolling up on the Penn State main campus and doing my annual ice cream cone at the Penn State Creamery tent, before heading back the other direction and up Allen Street to browse the various booths and crafters near Foster Avenue and towards Memorial Field. I checked out a didjeridoo booth, and later the strum stick vendor. As I continued to stroll, I eventually came up on some entertainment happening at the Central Parklet Stage, as Acoustic Brew was presenting an acoustic gospel/folk music jam session. I watched this for a little while, as a group of 8-9 musicians – including acoustic guitarists, a dobro player, a dulcimer player and a fiddler – played gospel and traditional folk numbers, including a rendition of “Man of Constant Sorrow.” One representative of Acoustic Brew handed me a brochure and told me about the organization’s upcoming Greenwood Furnace Folk Gathering Sept. 12-14, as well as their fall concert series.
The jam session hosted by the Acoustic Brew.
Again, Acoustic Brew’s jam session.
I then headed to the Festival Shell stage in front of Penn State’s Old Main for one of the primary reasons I was attending the Arts Festival this day, Chris Bell & 100% Blues. I was impressed by Chris and his band when they played this festival a few years ago, and was eager to witness more blues fireworks! Flanked by bassist Adam Constantine, drummer Rob Pagona, and Happy Valley’s own John “JT Blues” Thompson on keys, Chris Bell performed a fiery mixture of original blues, blues and blues-rock favorites. After opening with two bluesy instrumentals, Chris and his band paid homage to Stevie Ray Vaughan with three songs; doing the Stevie read on Ivory Joe Hunter’s “Empty Arms,” “Tell Me” and “the Sky Is Crying.” Chris then introduced the title song from his latest CD, Real Bluesman, and followed it with another song from that album, “Forgive & Forget.” I had noticed dark clouds on the horizon, and hoped that the clouds would pass north of the Arts Fest. They did not, soon unleashing a steadily intensifying rainfall upon the Arts Festival. My decision to pack an umbrella paid off, as I broke out the umbrella and sat in the rain to take in Chris Bell’s set, while other people scurried for cover. At least two hardcore blues fans didn’t even bother to cover themselves, allowing themselves to get drenched in the downpour while enjoying Chris Bell’s blues. Chris and the band, under the cover of the Shell roof, played on; doing another original tune, “Can’t Keep a Good Man Down,” and another song, “Found Another Man,” before Chris paid homage to the recently departed Bo Diddley with a rendition of “Who Do You Love,” unleashing some excellent slide guitarwork in the process. After the song, Chris commented on how important Bo Diddley was to blues players like him, explaining that “I’ll be playing his licks the rest of my life.” Chris then introduced another songs from his Real Bluesman CD, doing “Money Don’t Grow on Trees.” Chris then performed a solo rendition of “Travelin’ Shoes,” followed by two songs I didn’t recognize, I believe called “Hard Time” and “Way Up Yonder Over There” respectively. Next was another original tune, “Hell Is Too Hot for Me,” before Chris Bell & 100% Blues wrapped up the set with Willie Dixon’s “Let Me Love You Baby,” which closed with Chris doing a solo guitar rendition of “The Star Spangled Banner;” he nailed it! As I had hoped, Chris Bell and his band delivered the goods, performing their blues with the fire and electricity I recalled from before. John “JT Blues,” as he had shown a few weeks earlier when sitting in with Blue Number Nine in Altoona, displayed his versatility and fit right in with Chris and his band; his organ groan making itself right at home. Bottom line – Chris Bell & 100% Blues was worth sitting through a rainstorm to enjoy; enough so that I bought the Real Bluesman CD after their set!
Chris Bell & 100% Blues.
Group namesake Chris Bell.
Again, Chris Bell.
Providing keys for Chris Bell & 100% Blues, John “JT Blues” Thompson.
Again, Chris Bell & 100% Blues.
Once again, Chris Bell.
Rob Pagona of Chris Bell & 100% Blues.
Adam Constantine of Chris Bell & 100% Blues.
Again, Adam Constantine.
Chris Bell again provides some guitar fireworks.
More Chris Bell.
Chris Bell blows some harp.
Once again, Chris Bell & 100% Blues.
Again, John “JT Blues” Thompson.
Once more, Chris Bell & 100% Blues.
One more time, Chris Bell.
Fortunately, while the rain was heavy, it only lasted a short time before moving on. I strolled up to the Allen Street Stage to see the entertainment there, but the folk/bluegrass group on the stage, Like Father Like Son, was finishing up their last song as I arrived. After then strolling down Beaver Avenue and back up Calder Alley to ponder options for an evening meal later on, I returned to the Festival Shell stage to take in some more blues, courtesy of Happy Valley’s own Holy Smoke Blues.
Holy Smoke Blues – singer/lead guitarist Anthony Stauffer, rhythm guitarist Darryl Carter, keyboardist Doug Whitfield, bassist Kevin Sliman and drummer Bennett Hoffman – played a mix of original blues and blues rock plus select cover material. Their original song selection included such numbers as the slow blues dedication “Covenant,” which Anthony wrote for his wife, Lori,” “No Time for Change,” “Superhero,” and the group’s established closer “No Mojo,” where each member of the band got to showcase his solo skills. The group also did renditions of CCR’s “Travelin’ Band,” Lynyrd Skynyrd’s “Gimme Three Steps,” Stevie Ray Vaughan’s “Pride and Joy,” Tony Vega Band’s “Jimmie Lee” and Robert Johnson’s “Sweet Home Chicago.” Their musicianship was strong, as each member got to showcase his skills. Anthony showcased some scorching leadwork several times along the way, and Doug got to show some impressive flourishes on the keys as well. Holy Smoke Blues received a good response from the Arts Fest crowd, and this set gave me a good preview of what to expect when the group comes to Altoona for the Summer Jazz Concert Series in August.
Here is some video footage from Holy Smoke Blues’ performance:
http://www.rockpage.net/users/jprice/video/MOV01724.MPG
Holy Smoke Blues.
Anthony Stauffer of Holy Smoke Blues.
Darryl Carter of Holy Smoke Blues.
Again, Holy Smoke Blues.
Bennett Hoffman of Holy Smoke Blues.
Doug Whitfield of Holy Smoke Blues.
Kevin Sliman of Holy Smoke Blues.
Once again, Holy Smoke Blues.
Again, Anthony Stauffer of Holy Smoke Blues.
Again, Doug Whitfield of Holy Smoke Blues.
Once again, Anthony Stauffer.
Again, Darryl Carter of Holy Smoke Blues.
Following Holy Smoke Blues’ performance, I headed to the Corner Room to do a supper break. I then returned to the Festival Shell area to catch the finale of this Festival, provided by State College reggae favorites The Earthtones. A large crowd was already gathering and staking their vantage points to take in this party, and I was soon joined by Nightcrawler Steve and his entourage, also there to witness the performance.
Shortly after 8 PM, The Earthtones kicked off the party, starting off with Burning Spear’s “Hallelujah.” Group singer, rhythm guitarist and ringleader Rodney “RT” Thompson then greeted the audience and welcomed them to “an irie Sunday night, before he and the Earthtones continued with another Burning Spear number, “House of Reggae.” They then visited the Bob Marley catalog for the first of several times, doing “Kinky Reggae.” The grass and sidewalk area in front of the stage quickly turned into a dance zone during these first few songs, with a diverse crowd of people, from kids to college students to seniors, partaking in this international-flavored party. RT, guitarist Chris Younken, keyboard players Roger Emes and Kamau Diallo, bassist Jason Ebersole and drummer John Lynch proceeded with an upbeat number, “Caribbean Man,” followed by a Stevie Wonder tune, “Pastime Paradise.” RT then dedicated the show in memory of Bob Trump, a longtime organizer of Arts Festival entertainment, who recently passed away. The Earthtones continued with Sean Paul’s “Gimme the Light, followed by Culture’s “Slice of Mount Zion.” RT then welcomed his son, Jordan Thompson, to join the band on guitar for a number, before the Earthtones returned to the Bob Marley catalog for “Black Survivors.” Next was Black Uhuru’s “Party in Session,” which incorporated a few licks of Pink Floyd’s “Another Brick in the Wall.” Jordan Thompson returned to the stage to show some more of his guitar skills on Steel Pulse’s “Rollerskates;” this guy can jam! After another number, RT introduced an original song written by Roger called “Seeds of Zion;” this tune was uptempo, displaying an interesting reggae-meets-rock flavor. This was followed by another original number, “New Superpower,” before the Earthtones tapped the Bob Marley collection again for “Concrete Jungle.” Yet another original song followed, called “Out on the Floor,” followed by another Bob Marley tune, “Waiting in Vain,” and another new original, “Trials and Tribulations.” The Earthtones then closed out their set with a soca number, “Spring Garden.” When the huge Arts Festival crowd demanded more, the Earthtones rewarded them with one more song to close out the night.
Once again, The Earthtones successfully closed out the Central Pennsylvania Festival of the Arts on a high note. The electricity between the band and crowd was instantaneous, with the area in front of the stage becoming one huge dance party. More people continued to arrive, and the energy level and joy of the occasion continued to escalate. It was one huge positive vibe through the entire set, and again sent the Arts Festival out with plentiful smiles and happy folks.
The Earthtones kick off their reggae celebration.
People gather in front of the stage as the party gets under way.
Rodney “RT” Thompson of The Earthtones.
Rodney “RT” Thompson and Chris Younken of The Earthtones.
The Earthtones’ party heats up.
Again, RT of The Earthtones.
Kamau Diallo and RT of The Earthtones.
Roger Emes and Kamau Diallo of The Earthtones.
Jason Ebersole, RT and Chris Younken of The Earthtones.
The crowd grows.
…and grows.
Once again, RT of The Earthtones.
RT’s son, Jordan Thompson (on right) joins the Earthtones on stage.
Again, The Earthtones with Jordan Thompson.
Jordan Thompson.
Again, Jordan Thompson.
A massive crowd takes in the Earthtones’ party.
Once again, The Earthtones and a festive crowd.
One more time, RT of The Earthtones.
MIA MAFIA @ PELLEGRINE’S, ALTOONA 7/13/08
After the Arts Festival ended, I hoofed it back to my car near Beaver Stadium, and drove back to the ‘Toona, with my destination Pellegrine’s, where Mia Mafia was taking the stage for the first time.
Three quarters of this band had appeared at Pelly’s several weeks earlier, rocking under the banner G211. Shortly after this show, singer Brian Storm, bassist Mark Holland and drummer Travis Kramer parted ways with guitarist Dale Hart, replacing him with former N.Y.N.E. guitarist Chris Lee and changing their handle to Mia Mafia. (Dale subsequently reunited with original G211 drummer and bassist Tony Tamburini and Chris Gallagher respectively, and this collaboration is continuing on as G211.)
I arrived at Pelly’s just as Mia Mafia was finishing up their first set with Fuel’s “Shimmer.” I instantly noted that the group had learned a lesson from their previous visit to Pelly’s as G211; they were using Greg Stager and Bob Anders for sound and lights. Given a new band name in the house, the attendance was lighter than usual, but there were still at least some folks present.
Soon Mia Mafia was ready to begin their second set, and started off with Rage Against the Machine’s “Bulls on Parade.” Instantly I noted the shift in musical direction, towards a harder and more modern flavor. The group continued in the 90’s vein with Stone Temple Pilots’ “Sex Type Thing” and the Toadies’ “Possum Kingdom,” before pulling out a song I hadn’t heard in ages, Sponge’s “Molly (Sixteen Candles).” The group continued with numbers from the Foo Fighters, Jimmy Eats World, Green Day, Puddle of Mudd, Nickelback, Slither, and Filter’s “Hey Man Nice Shot” to close the set.
Besides the shift in musical direction, I noticed an overall increased energy level on stage as well. Brian now wasn’t the only wildman in this band; Chris was displaying some movement around the stage as well. Chris carried out some different antics as he jammed on his instrument, and Brian did several flying leaps during the course of Mia Mafia’s first set, as well as take his party off the stage and into the tables and crowd. This new band was very entertaining!
Mia Mafia’s third set launched with Fuel’s “Jesus or a Gun,” followed by Smashing Pumpkins’ “Bullet with Butterfly Wings.” The group continued with numbers from Weezer, Buckcherry, Nirvana, Judas Priest, Seether, Three Days Grace, Tool, Marilyn Manson, Rage Against the Machine and more. Nearly midway into the set, the group welcomed former Kitty Whip singer Crystal “Chryssie” Mullins up to sing lead on Joan Jett’s “I Love Rock’n’Roll.” Crystal has joined Travis and two other Plush alumni to form a new band, Pushing Red.
Once again, Mia Mafia rocked at a feverish clip, and kept the music and craziness nonstop. Although the crowd was on the small side, Mia Mafia brought a lot of that crowd in front of the stage and won a few fans before all was said and done. And given this strong first Pellegrine’s performance, I think this band should be able to establish a solid fan base at this venue as they perform more shows here. This was a wild and rocking good time; definitely catch this band in action!
Brian Storm of Mia Mafia.
Mia Mafia, making their Pellegrine’s debut.
Mia Mafia fires up the Pelly’s dance floor crowd.
Again, Brian Storm of Mia Mafia.
Former Kitty Whip/current Pushing Red singer Crystal “Chryssie” Mullins sings with Mia Mafia.
Chryssie, belting out some voice.
Once again, Brian Storm of Mia Mafia.
Chris Lee of Mia Mafia.
Yet again, Brian Storm of Mia Mafia.
One more time, Chris Lee of Mia Mafia.
JP’s HAIKU
Earthtones close Arts Fest
Old Main lawn is dance party
Happy irie vibes
