Because sometimes, 5 strings on a bass just isn't enough...

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bassist_25
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Because sometimes, 5 strings on a bass just isn't enough...

Post by bassist_25 »

Hey all, I know we have a few 12 string bass players here. Lately, I've been wanting to do something a little different, so I jumped into the world of dual course (i.e., doubled octave) basses. There are a lot of 8 string basses out there, from Schecters to Waterstones. These are basically four string basses with doubled octaves, much like a 12 string guitar. Being primarily a 5 string player, I started doing a little research into the possibility of a dual course 10 string (emphasis on "dual course," because there are cats out there like Jean Baudin playing independent stringed 10+ string monstrosities).

It turns out that Dean, of all companies, is really getting into the dual and triple course bass market (which use to be a marketshare largely controlled by Hamer) with a number of offerings. They put out a 10 string called the Edge 10X. I did some research, looked at some prices, and ended up buying one from a cat off of Talkbass. As a bit of a birthday present to myself, I knabbed it.

First impressions - I've used it for about a half of set on the gig Friday night. This thing sounds massive through the FOH. It has a two band EQ. The preamp is very utilitarian. It's whisper quiet and is musical enough. I'm thinking it's going to get replaced by an Aguilar. It's a solid sounding preamp, but it doesn't have the depth one would get from a higher end offering. I really dig the pickups on the other hand. Each one is musical, whether soloed or blended together. Aesthetically, this thing looks great, especially in person! It's a mahagony body in an oil finish. It's kind of Warwick-esque in person. The Dean "D" inlay at the 12th fret is very tasteful and looks cool. The body's very ergonomic. They put some high quality Grover tuning machines on this, which is nice. I wouldn't have to retune this in the middle of a set. All in all, it's a pretty solid bass, and I think an after-market preamp would really take it over the top.

It's a little bit of an adjustment to play, but it doesn't feel overtly foreign. Fretting technique is comfortable and doesn't feel overwhelming when you look down at the fretboard. I have to adjust pizzicato technique a little bit to play cleanly and sweep both strings. I normally have more of a staccato attack, which really isn't conducive to the dual course design. It requires a little more of the finger pads to reproduce the sounds of both strings. It's going to take a wee bit of work, but it's not too hard to play it while staying clean. Speed does got down a little bit with this technique. Slapping is a breeze. Picking is also pretty easy, though if you want to sound consistent, it's better to stick with all downstrokes rather than alternatve picking.

The 10 string is a pretty cool change of pace. I don't think it will become my main player, but there is a myriad of things that can be done with it, especially in an original music context. I had to dig out my Cheap Trick record yesterday to get some inspiration. Most importantly of all, Bushy will be happy that I'm playing a Dean.

Some pics...

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MeYatch
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Post by MeYatch »

those are really cool looking pickups.
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Post by lonewolf »

They need to add piano hammers to this:

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bassist_25
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Post by bassist_25 »

MeYatch wrote:those are really cool looking pickups.
The pickups are definitely cool looking. They're also not obstrusive at all, at least for me.
"He's the electric horseman, you better back off!" - old sKool making a reference to the culturally relevant 1979 film.
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onegunguitar
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Re: Because sometimes, 5 strings on a bass just isn't enough

Post by onegunguitar »

bassist_25 wrote: Most importantly of all, Bushy will be happy that I'm playing a Dean.
Haha!! Congrats Paul!! That's a nice looking bass!! I knew you'd see the light eventually! LOL!!! :D :D :D
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Sapo
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Post by Sapo »

I haven't played an 8 (or 10) string but I do have a 12-string. I love the sound and wish I was in a band where I could play it live! Very cool you are doing that. I use mine strictly for writing/recording. I looked at the Deans but opted for an October. Went to the shop in Maryland and met the owner. Very cool.

I don't know about you, Paul, but although I'm a fingerstyle player I decided to switch to a pick for this bass. It is just way easier - the main problem for me is string spacing. Its too tight to be comfortable fingerstyle.

I always say playing a 12 is like swimming with your clothes on...its a little harder and slower than a traditional bass. It is really good for some things and not so good at others.

Haven't picked it up lately...I need to go home and play mine now.
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bassist_25
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Post by bassist_25 »

I totally agree with all of that, Todd. I'm not going to be blowing through the head of Donna Lee or playing Classical Thump on it anytime soon. It works great for ballad to mid-tempo songs. I find that it's very conducive to pick playing, not just so much for ease of playing but also for sound. I used it for a half a set again last night, and the song I used a pick for was the one that really sounded good to my ears. The finger techinque is coming along, though. I do wish the string spacing were a hair wider. Then I could use my normal techinque, which I'm more comfortable with.
"He's the electric horseman, you better back off!" - old sKool making a reference to the culturally relevant 1979 film.
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