Thanks, Joe! People tell me that I have my own lexicon of words that I use. I suppose that I'm just transcultural like that (transcultural? There's another sweet bassist_25-invented word). Noam Chomsky should just spend like a week following me around to see what cool words and phrases I say.
I totally agree with Carvin staying with their vision. They've shyed away from jumping on trends for the past 50 years without being left in the dust either. They just put out some really solid instruments. I do wish they had more selection with pickups, though. It would be pretty bangin' to have a Carvin shipped to you with a set of Bartolinis or EMGs in it.
I've really enjoyed playing the LB75. After getting it, I've played some other instruments, many in the $1000 - $1500 range, and I still keep going back to the Carvin. Perhaps it's familiarity, but I feel it's the instrument that allows me to communicate music the most effectively. As my fellow bass comrade, Kent, has said, picking an instrument is one of the most personal statements a player can make about himself or herself. I feel that there's no objectively right or wrong answer with picking an instrument. Rather, you need to play an instrument that allows you to communicate music to the best of your abilities. For Hendrix, that was a Strat. For Brian Setzer, it's a Gretsch. For Victor Wooten, it's a Fodera. For old sKool, it's a Jackson or Charvel. For me, it's been the Carvin.
I thought about the personalized truss rod cover, but I just couldn't get my name on it. That'd be too pretentious. LOL I'd have to put something funny or ironic on it, like "Bad Motherfucker" in tribute of Samuel L. Jackson from Pulp Fiction.
...on the other hand, a personalize truss rod cover may make people more leary of stealing it, which would be a big + when playing gigs in Altoona.

"He's the electric horseman, you better back off!" - old sKool making a reference to the culturally relevant 1979 film.